SRI #MADHWAVIJAYAHA – YEKADASHAHA SARGAHA SHLOKAS 11, 12, 13 AND 14 (79) ಶ್ರೀ #ಮಧ್ವವಿಜಯ – ಏಕಾದಶ ಸರ್ಗ 11, 12, 13 ಮತ್ತು 14ನೇ ಶ್ಲೋಕಗಳ ಅರ್ಥವಿವರಣೆ (79)

SRI #MADHWAVIJAYAHA – YEKADASHAHA SARGAHA SHLOKAS 11, 12, 13 AND 14  (79)

ಶ್ರೀ #ಮಧ್ವವಿಜಯ – ಏಕಾದಶ ಸರ್ಗ 11, 12, 13 ಮತ್ತು 14ನೇ ಶ್ಲೋಕಗಳ ಅರ್ಥವಿವರಣೆ (79)

ಯದಿ ನಾಭವಿಷ್ಯದಿಹ ವಿಭ್ರಮತಾನಿಯಮೋ ಜನಸ್ಯ ನಿಲಯಾವಲಿಷು|

ವಿಕಟಾ ವಿಟಂಕಕೃತಪತ್ರಿತತಿಃ ಕೃತಕೇತ್ಯವೈಕ್ಷತ ಕಥಂಚನ ನೋ||11||

Yadi nABhaviShyadiha viBhramatAniyamO janasya nilayAvaliShu|

VikaTA viTankakrutapatritatihi krutakEtyavaikShata kaThanchana nO||11||

यदि नाभविष्यदिह विभ्रमतानियमॊ जनस्य निलयावलिषु।

विकटा विटन्ककृतपत्रिततिः कृतकॆत्यवैक्षत कथन्चन नॊ॥११॥

SUMMARY: If there were any such rule that there is no concept of illusion for the people living in that Vaikuntha, then the cluster of tiny houses of beautiful and cute birds adoring the lines of houses there could never be understood as being artificial.

This is a compliment to the artificial birds that were adoring the exterior of houses in Vaikuntha that they had been created in such a natural way that it was hard to guess that they were artificial.

VikaTA means great, beautiful.

It is also indicated in this stanza that for people in the heavens, there is no state as illusion or confusion.

ವಿವಿಧಸ್ತುಲೋಪಗತಚಿತ್ರಪಟೀಸುವಿತಾನಲಂಬಿಮಣಿದಾಮಗಣಃ|

ಶರಣಾಂತರೇಷ್ವಧಿಕಪೂರಣತಃ ಪ್ರಚಕಾಸ್ತಿ ವಿಭ್ರಮ ಇವಾವಗಲನ್||12||

ViviDhastulOpagatachitrapaTeesuvitanalambimaNidAmagaNaha|

SharaNAntarEShwaDhikapUraNataha prachakAsti viBhrama ivAvagalan||12||

विविधस्तुलॊपगतचित्रपटीसुवितानलम्बिमणिदामगणः।

शरणान्तरॆष्वधिकपूरणतः प्रचकास्ति विभ्रम इवावगलन्॥१२॥

SUMMARY: The garlands of multi-coloured beads suspended beneath the strange clothes that were hanging to the wooden beams in all places inside the houses in Vaikuntha are shining so much that it appears as though their brightness was protruding outside on the streets.

ವಿಮಲಾಕೃತಿಃ ಪ್ರಕೃತಿರೇವ ಮಹಾಮಣಿಹೇಮಮಯ್ಯಖಿಲವಸ್ತುಮಯೀ|

ಇಹ ಸಂಭವೇತ್ ಸಕಲಕಾಂತಿರಸಃ ಕಥಿತೋsಧಿಕೋಕ್ತಿಭಿರತಃ ಕವಿಭಿಃ||13||

VimalAkrutihi prakrutirEva mahAmaNihEmamayyaKhilavastumayee|

Iha samBhavEt sakalakAntirasaha kaThitO(s)DhikOktiBhirataha kaviBhihi||13||

विमलाकृतिः प्रकृतिरॆव महामणिहॆममय्यखिलवस्तुमयी।

इह सम्भवॆत् सकलकान्तिरसः कथितॊsधिकॊक्तिभिरतः कविभिः॥१३॥

SUMMARY: Here, purest form of Sri Mahalakshmi is present in the invaluable diamond and gold complexion and an epitome of all materials; therefore, the expressions of the most spectacular things that appear to have been exaggerated by poets in their exemplary poems seem quite perfect and realistic.

With everything in Vaikuntha having the presence of Goddess Mahalakshmi, even the most exaggerated description of earthly items look ordinary here.  

ತದನಾದಿಕಾಲಮಿತಮುಕ್ತಿರತೇರಗಣಯ್ಯಶಂಭುಮುಖಸಂಘತತೇಃ|     

ನಗರೈರ್ಮಹಾಪುರಮಸಂಹತಿಮಲ್ಲಸತಿ ಪ್ರಭೋರಯಮಹೋ ಮಹಿಮಾ||14||

TadanAdikAlamitamuktiratEragaNayya shamBhumuKhasanGhatatEhe|

NagarairmahApuramasahmatimallasati praBhOrayamahO mahimA||14||

तदनादिकालमितमुक्तिरतॆरगणय्य शम्भुमुखसन्घततॆः।

नगरैर्महापुरमसम्हतिमल्लसति प्रभॊरयमहॊ महिमा॥१४॥

SUMMARY: Although inhabited by innumerable people who have attained salvation since time immemorial, including the past Brahmas and others, and still people getting into this land, Vaikuntha has never become short of space or congested; it is still sprawling and shining as wide and sparsely populated as ever. It is nothing but the mystic powers of Lord Sri Hari! Isn’t it?

Vaikuntha has been described Sri Vadirajaru in his “Vaikuntha Varnane”; Sri Mohanadasaru, Sri Purandaradasaru, Sri Vijayadasaru and many other Haridasas have described Vaikuntha in inimitable fashion and in great and grand detail.

The word “Shambhu” used in this stanza may outwardly mean only Lord Shiva. However,Sri Madbhagavata mentions “VaiShNavAnAm yaThA ShamBhuhu” whereby the word Shambhu refers to both Brahma and Rudra as both attain salvation and enter Vaikuntha.

In his Mahabharata Tatparya Nirnaya, Sri Madhwacharyaru states:

AnAdikAlataha pratikalpam muktA BrahmashEShagarDAdijeevagaNA anantAstatra santi|TE pruThak nagarANi santi|

अनादिकालतह् प्रतिकल्पं मुक्ता ब्रह्मशॆषगरुडादिजीवगणा अनन्तास्तत्र सन्ति। तॆषां पृथक् नगराणि सन्ति।

Demi-Gods such as Lord Brahma, ShESha, Garuda and others, (including Rudra) attain salvation after their term or Kalpa expires and they live in Vaikuntha in separate Townships or Cities. This has been happening from time immemorial. Inspite of the fact that gods, goddesses, human beings etc., keep attaining salvation, based on their good Karmas, Vaikuntha never turns out to be congested, over populated. The Pushpaka Vimana that Ravana had confiscated from Kubera could accommodate any number of people. It is said to be expanding and accommodating everyone without any inconvenience or inadequacy. If a celestial plane can boast of such elasticity, the state of Vaikuntha can seldom be exaggerated.  

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