INTRODUCTION – LEAF 2
LITERARY WORKS OF SRI JAGANNATHA DASARU (ಶ್ರೀ
ಜಗನ್ನಾಥದಾಸರ ಕೃತಿಗಳ ಸಂಕ್ಷಿಪ್ತ ದರ್ಶನ)
Unfortunately, there are no documents to exactly
determine or know the number of compositions or books written by Sri Jagannatha
Dasaru. Apart from Sri Harikathamrutasara, a lengthy poetic extravaganza
comprising 988 stanzas in Bhamini Shatpadi (ಭಾಮಿನೀ ಷಟ್ಪದಿ) pattern, it is believed that Sri
Jagannatha Dasaru has left about 195 Keertanas, two Ugabhogas (ಉಗಾಭೋಗಗಳು) , three Suladis (ಸುಳಾದಿಗಳು) and 413 Tatva Suvvalis (ತತ್ತ್ವ ಸುವ್ವಾಲಿಗಳು) to this
world. In addition, he is credited with the composition of Sri Varadendra
Panchashlokee (ಶ್ರೀ ವರದೇಂದ್ರ ಪಂಚಶ್ಲೋಕೀ) and Sri
Satyabodha Panchashlokee (ಸತ್ಯಬೋಧ ಪಂಚಶ್ಲೋಕೀ) in
Sanskrit, which date back to his pre-Dasa Deeksha days. He has written “Phalashruti”
(ಫಲಶ್ರುತಿ) to “Madhwanama”
(ಮಧ್ವನಾಮ) written
by Sri Sripadarajaru in Kannada. There are many Keertanas, Gurustuti (ಗುರುಸ್ತುತಿ) ,
Devatastuti (ದೇವಸ್ತುತಿ),
Paramatmastuti (ಪರಮಾತ್ಮಸ್ತುತಿ),
Description of Pilgrim Centres (ತೀರ್ಥಕ್ಷೇತ್ರಗಳ ವರ್ಣನೆ) and some
compositions under the title Upadeshaparatatvika Padagalu (ಉಪದೇಶಪರ ತಾತ್ತ್ವಿಕ ಪದಗಳು) in the
name of Sri Jagannatha Dasaru.
Description of the original form or appearance of Lord
Sri Hari, the appearance of Sri Nrusihma and other incarnations of Lord Vishnu,
description of different incarnations of Lord Hari found in the form of idols,
statues or images in some of the most popular pilgrim places and explanation of
the attributes of Lord Hari are the highlight and special features of the works
of Sri Jagannatha Dasaru. There are numerous compositions and descriptions of
the Lord in prose form which are like brilliant research works due to the
extravagant references and citations. For instance, in his 73-statement-long
work in Kannada “Aa namipe Sri Brahma vAyuvANi BhArati muKhyaravatAra
AvEshakAnamipe” (ಆ ನಮಿಪೆ ಶ್ರೀಬ್ರಹ್ಮ
ವಾಯುವಾಣಿ ಭಾರತಿ ಮುಖ್ಯರವತಾರ ಆವೇಶಕಾನಮಿಪೆ) dwells extensively on the differences
among deities, incarnations and forms of Lord that are manifestations of
certain power of the Lord. He has composed many Stotras in praise and
significance of some brilliant, extraordinary lineage of Seers of Mutts, Sri
Madhwacharyaru, Sri Jayatirtharu, Sri Vadirajaru, Sri Purandara Dasaru, Sri Vijaya
Dasaru, Sri Krishnadwaipayana Tirtharu, Sri Raghavendra Tirtharu, Sri
Varadendra Tirtharu, Sri Satyabodharu, Sri Bhuvanendraru, Sri Vasudhendraru and
Sri Satyavara Tirtharu are categorised
as Gurustotras. Another compostion that reads as “BhAgeeraThyAdi nadigaLa
tAratamya nija BhAgavata tilaka nimirAjagolidu VasiShThayOgeesha pELe sukaThA
kutUhalavanurAgadali kELi janarayyA..” (ಬಾಗೀರಥ್ಯಾದಿ ನದಿಗಳ ತಾರತಮ್ಯ ನಿಜ ಭಾಗವತ
ತಿಲಕ ನಿಮಿರಾಜಗೊಲಿದು ವಸಿಷ್ಠಯೋಗೀಶ ಪೇಳೆ ಸುಕಥಾ ಕುತೂಹಲವನುರಾಗದಲಿ ಕೇಳಿ ಜನರಯ್ಯಾ) deals
with the discriminaion or difference that exists among sacred rivers. One more composition “Smarisi teerthakShEtra sajjanaru nityadali aruNOdayakAladaleddu BhaktipUrvakavAgi
shravaNa mALpara pAparAshigaLa pariharisutta santaisuve…” (ಸ್ಮರಿಸಿ ತೀರ್ಥಕ್ಷೇತ್ರ ಸಜ್ಜನರು ನಿತ್ಯದಲಿ
ಅರುಣೋದಯದಲೆದ್ದು ಭಕ್ತಿಪೂರ್ವಕವಾಗಿ ಶ್ರವಣ ಮಾಳ್ಪರ ಪಾಪರಾಶಿಗಳ ಪರಿಹರಿಸುತ್ತ ಸನ್ತೈಸುವ..” lists out
the names of holy places.
What these compositions achieve or provide humanity with
is that they not only please the readers with their exemplary literary values,
didactic nature, elegant expression and picturesque descriptions but also
instil and promote devotion for the deities they relate to.
Sri Jagannatha Dasaru never deviates from Holy Scriptures
in his compositions. On the contrary, they explain in plain dictum the hidden
meanings of Shastras. In “Siri ramaNa tava charaNa dorakuvudu hyAnginnu parama
pApiShTha nAnu…” (ಶ್ರೀ ರಮಣ ತವ ಚರಣ
ದೊರಕುವುದು ಹ್ಯಾಂಗಿನ್ನು ಪರಮ ಪಾಪಿಷ್ಠ ನಾನು) he enlists the sins that every human
being commits with or without knowledge.
Because of space constraint, the second part of this episode
will be served later. SDN
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